I can't hear you very well dubious purchase promethazine afford Its title notwithstanding, Joshua Oppenheimer's film, shot in Indonesia, never shows a single moment of actual violence—only the spectacle of former gangsters and death-squad assassins recounting in interviews, then simulating in surreal re-enactments, how they helped to perpetrate wholesale slaughter in the mid-1960s, when a military dictatorship killed more than a million supposed communists, intellectuals and ethnic Chinese in the course of a single year. Why, at this late date, would these men be willing to come before the cameras? Because, as inveterate movie lovers, they like the idea of being in their own movie; because they're still hailed in some quarters of their nation as heroes, and because they're proud of what they did when they were young and feel their story needs to be told.